Amityville, LI

early 1900s

 

and now

Location Unknown

This is the last page from "The Town and The City," by Jack Kerouac. The novel is a work of fiction so there is no specific location for the content of this final page. However, I ponder the place of the red lights at the big junction... the view of the gas stations and diners. I think perhaps it was in Iowa, the land "where they let the children cry."

"ON A HIGHWAY one rainy night in the summer of that year, by glistering waters of a river in a place not far from the lights of a town, among hills and river-bluffs that were like shadows, a big red truck stopped at the one-light junction. Peter Martin, in his black leather jacket, carrying the old canvas bag in which all his poor needments for a long journey were packed, got down from the truck.

     The driver of the truck, enshrouded in his high cab, sadly called out: "Remember what I told you now. Walk a quarter mile down the road, just follow the river, till you get to the railroad overpass. If it starts raining hard you can wait there. Then you come to the red lights at the big junction, and there you'll see the gas stations and the diners, and there's the main highway that'll take you right in. It goes over the bridge. Got that straight? Good luck to you, man!" He shifted into gear and lumbered off the highway.

     And Peter was alone in the rainy night.
     He was on the road again, traveling the continent westward, going off to further and further years, alone by the waters of life, alone, looking towards the lights of the river's cape, towards tapers burning warmly in the towns, looking down along the shore in remembrance of the deamess of his father and of all life."

The Recordings of A Soldier in the Army During WWII

Andy Warhol— From A to B and Back Again

at The Whitney Museum

"Few American artists are as ever-present and instantly recognizable as Andy Warhol (1928–1987). Through his carefully cultivated persona and willingness to experiment with non-traditional art-making techniques, Warhol understood the growing power of images in contemporary life and helped to expand the role of the artist in society. 
This exhibition—the first Warhol retrospective organized by a U.S. institution since 1989—reconsiders the work of one of the most inventive, influential, and important American artists. Building on a wealth of new materials, research and scholarship that has emerged since the artist’s untimely death in 1987, this exhibition reveals new complexities about the Warhol we think we know, and introduces a Warhol for the 21st century."

Love & Resistance: Stonewall 50

at The NYDailyNews
at The NYPL

"The Stonewall Riots were a flash point in LGBTQ history. After the riots that took place at the Stonewall Inn in June 1969, the LGBTQ civil rights movement went from handfuls of pioneering activists to a national movement mobilizing thousands under the banner of Gay Liberation.

This exhibition illustrates this history through the photographs of Kay Tobin Lahusen and Diana Davies, two pioneering photojournalists, who captured the pivotal events of this era and changed the ways that LGBTQ people perceived themselves. Featured alongside these images are other items from the Library’s vast archival holdings in LGBTQ history, including ephemera, periodicals, and more."

Brenda Starr, Reporter: The Art of Dale Messick

at The Society of Illustrators
"At its peak, Brenda Starr, Reporter was included in 250 newspapers and read by more than 60 million readers. When Starr and her long-time “Mystery Man” boyfriend, whose very survival depended on the serum found in the fictitious but famous black orchid, finally married after 36 years in 1976, President Gerald Ford sent a congratulatory telegram."

This was my letter as it was published in the NYSun on April 12, 2005: 

Dale Messick, R.I.P.

I was sad to read that Dale Messick, the creator of "Brenda Starr, Reporter" passed away ["Dale Messick, 98, Cartoonist, Creator of Brenda Starr," Stephen Miller, Obituaries, April 8, 2005]. I was an avid fan of that comic strip and I followed Brenda Starr's adventures all through the late 1950s, '60s, and early '70s. I can recall characters such as Merrie Rider, Widow Creeper, No-No Night, Hank O'Hair, and Aunt Abretha.

In the early 1990s, I developed a nostalgic interest in the comic strip and I wanted to pinpoint the date of a specific story. I can not recall through which publication I was able to track down Dale Messick. But, I learned she was living in Santa Rosa, Calif., and I was given her telephone number. I called and it was Messick who answered the phone. We spoke for quite some time about many of her colorful story lines, and she also told me that she most enjoyed creating Brenda Starr's glamorous fashions.

At the time we spoke, Ms. Messick was writing for a local senior newsletter and seemed to be enjoying what she called "the delightful weather of Santa Rosa." When I read today that she passed away, I remembered her open and friendly personality. In his obituary, Mr. Miller brought back the memory of Brenda Starr, one exciting heroine. And it seems Dale Merrick had a life filled with great adventures of her own.

MARJORIE LEVINE

Manhattan